This month’s Black Static #16 (April–May 2010) from TTA Press is the first issue of this bi-monthly magazine to be printed in full colour throughout... and it looks glorious – from the redesigned contents listing, to Peter Tennant’s 15 pages of book reviews (a section that regularly includes interviews with genre authors).
My own 'Blood Spectrum' column also looks better than ever with a display line-up of DVD packshots, and many publicity stills from the coverage of 28 films. I have added ratings (scores out of 10) to all titles listed below…
Demon Warriors (4/10)
Cut (4/10)
Vampire Girl vs. Frankenstein Girl (6/10)
The Imaginarium Of Doctor Parnassus (8/10)
2012 (7/10)
The Descent: Part 2 (6/10)
Invitation Only (5/10)
Plus – ‘Argento-mania’, reviewing four re–releases
Terror At The Opera (8/10)
The Stendhal Syndrome (8/10)
The Card Player (6/10)
Two Evil Eyes (7/10)
‘All ye zombies’, a batch with stuff about –
Zombeak (3/10)
Survival Of The Dead (7/10)
Zombieland (5/10)
Night Of The Living Dead 3D (2/10)
Day Of The Dead (10/10)
Dance Of The Dead (5/10)
And, finally, the Dreadful Delights: round–up, which looks at –
Ong Bak 2: The Beginning (5/10)
Cirque du Freak: The Vampire’s Assistant (4/10)
Chaw (5/10)
Give ’Em Hell, Malone (5/10)
iMurders (2/10)
Salvage (1/10)
Hellbride (1/10)
Paranormal Entity (0/10)
Henry Lee Lucas: Serial Killer (1/10)
Bitch Slap (6/10)
Backwoods Bloodbath (1/10)
Tuesday, 20 April 2010
Tuesday, 6 April 2010
Odyssey aftermath
Final day of Odyssey 2010 was a run-around to pack non-essentials, get my bags into hotel luggage store, and checkout before 11. Jobs done, I went to see La Menace Vient de l’Espace (aka: The Menace Comes From Outer Space, 2009), a 19-minute short film with English-subtitles introduced as a ‘lost’ sci-fi classic, which is really a highly amusing pastiche, complete with female robot and portable phone, of low-budget 1950s' cinema (including This Island Earth and Earth vs. The Flying Saucers). Directed by Pierre-Axel Vuillaume-Prézeau, this envisions a modern French society radically changed by using a numeric language, and this ‘protocol 123’ is revealed as prelude to an invasion by aliens, but…
It’s very funny, so if you missed it search for the download version on You Tube. The noon panel about novels provided some insightful comments from Caroline Mullan, Graham Sleight, and Jetse de Vries, moderated by Ellen Datlow. I missed lunchtime programme item about ‘climate scepticism’ but watched and listened to first part of They Walk Amongst Us Here created by ‘Old Time Radio’ enthusiasts in the Commonwealth hall.
Left that early for a Green Room meeting before my last panel, ‘Dollhouse: Ethics and Identity’, where Steve Kilbane moderated our views on this somewhat (mildly!) controversial TV series, though I disagreed with a few of Liz Batty and Paul Cornell’s opinions about the show’s SF content. At 4pm, the closing ceremony's attendees packed the main hall, although many people from the con (including top guest Iain Banks) had already gone home.
Overall, a very well organised weekend event, with significant improvements to various tech services, despite the architectural oddities of some hotel conference rooms (a few of which were simply numbered, this time, instead of using the names they had for Orbital two years ago).
Monday, 5 April 2010
Odyssey finale
Odyssey 2010 – Monday
Yesterday was busy, starting with a panel on anthologies – Ellen Datlow, Ian Whates, Colin Harvey and Gary Couzens discussing 'the art of compilation'. Al Reynolds' talk about 'SF and the modern cosmos' had tech problems, so it started late and its colour slide-show was only screened in black-and-white. From the main hall, I went to the noon panel about 'writing meaningful reviews' moderated by John Clute, but the panellists (I'd never heard of any of them before) all had completely different perspectives, making any balanced or interactive discussion rather difficult.
I had to leave that item early, to visit Green Room, ready for my panel about Clarke (and whether he's still worth reading), where Colin Harvey moderated our discussion. With Ian Whates, Edward James, Martin McGrath, and Stephen Gaskell, opinions differed but we seemed to agree that such older SF novels ought/ should appeal to younger readers today. After, I listened to some comments from 'Not The Clarke Awards' panel, but found I hadn't read any of the books they were talking about.
Next, meeting Interzone film reviewer Nick Lowe, after his BSFA lecture on “2001 and the Narratology of Transcendence,” revealing the 'untold' story about developing the script for Clarke and Kubrick's masterpiece. I saw Roy Gray just after the dealer's room closed at 6pm, and we went to the poetry readings hosted by Birmingham's former poet laureate Chris Morgan. Roz Kaveney's readings were good, as were some others, but I forgot their names.
I had to leave that room early, in time for my panel on James Cameron's Avatar, where Jetse de Vries moderated our lively discussion of the film's merits and faults. I waited patiently for the Mitch Benn gig to start - much later than expected in the main hall, but his 'adult' comedy/ singing act was not funny and only weakly amusing. I think he's just a retarded Bill Bailey wannabe.
Announcements made in Atrium bar space for 'Steampunk Ball' dance in the main hall were an increasing annoyance during late night drinking and chat, but it didn't really spoil the evening, where conversations included mysterious origins of life and the reportedly surprising popularity of Harry Harrison in Russia... I found a copy of Sentinel newsletter #5, with a picture of my first panel on Friday night. Oh, yay.
This morning, I'll be checking out, but still going to programme items, and I have one more panel to do before the closing ceremony.
Yesterday was busy, starting with a panel on anthologies – Ellen Datlow, Ian Whates, Colin Harvey and Gary Couzens discussing 'the art of compilation'. Al Reynolds' talk about 'SF and the modern cosmos' had tech problems, so it started late and its colour slide-show was only screened in black-and-white. From the main hall, I went to the noon panel about 'writing meaningful reviews' moderated by John Clute, but the panellists (I'd never heard of any of them before) all had completely different perspectives, making any balanced or interactive discussion rather difficult.
I had to leave that item early, to visit Green Room, ready for my panel about Clarke (and whether he's still worth reading), where Colin Harvey moderated our discussion. With Ian Whates, Edward James, Martin McGrath, and Stephen Gaskell, opinions differed but we seemed to agree that such older SF novels ought/ should appeal to younger readers today. After, I listened to some comments from 'Not The Clarke Awards' panel, but found I hadn't read any of the books they were talking about.
Next, meeting Interzone film reviewer Nick Lowe, after his BSFA lecture on “2001 and the Narratology of Transcendence,” revealing the 'untold' story about developing the script for Clarke and Kubrick's masterpiece. I saw Roy Gray just after the dealer's room closed at 6pm, and we went to the poetry readings hosted by Birmingham's former poet laureate Chris Morgan. Roz Kaveney's readings were good, as were some others, but I forgot their names.
I had to leave that room early, in time for my panel on James Cameron's Avatar, where Jetse de Vries moderated our lively discussion of the film's merits and faults. I waited patiently for the Mitch Benn gig to start - much later than expected in the main hall, but his 'adult' comedy/ singing act was not funny and only weakly amusing. I think he's just a retarded Bill Bailey wannabe.
Announcements made in Atrium bar space for 'Steampunk Ball' dance in the main hall were an increasing annoyance during late night drinking and chat, but it didn't really spoil the evening, where conversations included mysterious origins of life and the reportedly surprising popularity of Harry Harrison in Russia... I found a copy of Sentinel newsletter #5, with a picture of my first panel on Friday night. Oh, yay.
This morning, I'll be checking out, but still going to programme items, and I have one more panel to do before the closing ceremony.
Sunday, 4 April 2010
Odyssey weekend
Odyssey 2010 – Saturday & Sunday morning
After breakfast on second day of convention, I missed the panel on female superheroes, and went for educational and informative 'Quantum Computing For Beginners' talk by Dr Nik Whitehead, adding some background detail to theories I'd already read about in SF books. Found a front-row seat for guest-of-honour Iain M. Banks' highly amusing interview by Jane Killick, but I had to leave main hall early in time for my panel on Watchmen, debating film's merits & faults but also talking about Alan Moore, the motion comic, and superheroes in general.
George Hay lecture (sponsored by SF Foundation) was an interesting talk by Oliver Morton about 'geoegineering'. I enjoyed the panel on 'writers and the web' – including Joe Abercrombie and John Meaney moderated by Maura McHugh. Before teatime, I saw tail end of panel discussion on geoengineering, which included Phil Huggins, Jonathan Cowie, and Morton.
First hour of SF 'tall stories' inspired by Clarke's Tales From The White Hart was very good, with Andrew J. Wilson giving best reading of most entertaining short story, but I left after that one to get a drink... and found Jetse de Vries serving whiskies at launch party for his anthology Shine – which really deserves to succeed with its theme of optimistic SF. Slowly, the Royal room cleared to make way for an exclusive preview of short genre films chosen for Sci-Fi London Film Festival. I watched the first three but then had to hurry along to room 41, for my panel about US remakes of British TV shows, where versions of Life On Mars and The Prisoner were talked about.
After 10pm, I had something to eat from limited snack-menu in the Atrium bar, and was ready for drinking and talking until about half past one. Distribution of Odyssey's Sentinel newsletter seems uneven - I got issues two, three, four, but seven, but when/ where/ what happened to issues five and six?
Now it's after breakfast on Sunday... I'm especially looking forward to this morning's guest-of-honour talk by Alastair Reynolds, and my couple of panels about Arthur C. Clarke (lunchtime), and Avatar (this evening).
After breakfast on second day of convention, I missed the panel on female superheroes, and went for educational and informative 'Quantum Computing For Beginners' talk by Dr Nik Whitehead, adding some background detail to theories I'd already read about in SF books. Found a front-row seat for guest-of-honour Iain M. Banks' highly amusing interview by Jane Killick, but I had to leave main hall early in time for my panel on Watchmen, debating film's merits & faults but also talking about Alan Moore, the motion comic, and superheroes in general.
George Hay lecture (sponsored by SF Foundation) was an interesting talk by Oliver Morton about 'geoegineering'. I enjoyed the panel on 'writers and the web' – including Joe Abercrombie and John Meaney moderated by Maura McHugh. Before teatime, I saw tail end of panel discussion on geoengineering, which included Phil Huggins, Jonathan Cowie, and Morton.
First hour of SF 'tall stories' inspired by Clarke's Tales From The White Hart was very good, with Andrew J. Wilson giving best reading of most entertaining short story, but I left after that one to get a drink... and found Jetse de Vries serving whiskies at launch party for his anthology Shine – which really deserves to succeed with its theme of optimistic SF. Slowly, the Royal room cleared to make way for an exclusive preview of short genre films chosen for Sci-Fi London Film Festival. I watched the first three but then had to hurry along to room 41, for my panel about US remakes of British TV shows, where versions of Life On Mars and The Prisoner were talked about.
After 10pm, I had something to eat from limited snack-menu in the Atrium bar, and was ready for drinking and talking until about half past one. Distribution of Odyssey's Sentinel newsletter seems uneven - I got issues two, three, four, but seven, but when/ where/ what happened to issues five and six?
Now it's after breakfast on Sunday... I'm especially looking forward to this morning's guest-of-honour talk by Alastair Reynolds, and my couple of panels about Arthur C. Clarke (lunchtime), and Avatar (this evening).
Saturday, 3 April 2010
Odyssey 2010
Odyssey 2010 - 61st British SF convention
Hotel busy and I had time for a panel on book collecting before checking into top-floor room (with only car park view). Meeting & greeting, sorting out copies of Premonitions for dealer's room, and trying to avoid buying any books... then it was 4pm, time for first panel in main hall, where Iain M. Banks, Edward James and others discussed Utopia – in various fictions, while questioning whether it could ever be realised.
Friday's teatime panel on UK vs. US TV was in small room 40, packed to capacity with more standing than sitting. Jane Killick and Gary Blog led discussion on styles, standards and examples - with Chad Dixon becoming default moderator – but no consensus was reached about quality from either side of Atlantic. I went to NewCon Press launch in Royal, but free booze was all gone, and I wasn't tempted by that new SF anthology. Looked in main hall for several minutes of UK movie première Universal Soldier: Regeneration, but even Van Damme's presence couldn't save this clunky actioner, so I left early, to visit art show launch, which seemed smaller than previous 2008 exhibition at this hotel, but which still had several excellent displays.
Opening ceremony started late and finished quickly, but 'star-scape' stage set-up, giant video display with original animation and 2001 theme music made it look grander than just intro to line-up of guests and organisers. A panel item on 'Disability and Villains' was troubled with an inactive sound system for a sizeable room, where my 10pm panel titled, 'It's Shit But We Like It' was fun and enjoyable as noisy chat about films & TV, but derailed by lack of focus. At least a techie arrived to switch the mics on.
Hotel busy and I had time for a panel on book collecting before checking into top-floor room (with only car park view). Meeting & greeting, sorting out copies of Premonitions for dealer's room, and trying to avoid buying any books... then it was 4pm, time for first panel in main hall, where Iain M. Banks, Edward James and others discussed Utopia – in various fictions, while questioning whether it could ever be realised.
Friday's teatime panel on UK vs. US TV was in small room 40, packed to capacity with more standing than sitting. Jane Killick and Gary Blog led discussion on styles, standards and examples - with Chad Dixon becoming default moderator – but no consensus was reached about quality from either side of Atlantic. I went to NewCon Press launch in Royal, but free booze was all gone, and I wasn't tempted by that new SF anthology. Looked in main hall for several minutes of UK movie première Universal Soldier: Regeneration, but even Van Damme's presence couldn't save this clunky actioner, so I left early, to visit art show launch, which seemed smaller than previous 2008 exhibition at this hotel, but which still had several excellent displays.
Opening ceremony started late and finished quickly, but 'star-scape' stage set-up, giant video display with original animation and 2001 theme music made it look grander than just intro to line-up of guests and organisers. A panel item on 'Disability and Villains' was troubled with an inactive sound system for a sizeable room, where my 10pm panel titled, 'It's Shit But We Like It' was fun and enjoyable as noisy chat about films & TV, but derailed by lack of focus. At least a techie arrived to switch the mics on.
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