Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Monday, 22 July 2013

Heatwave

British summertime. My low rate of activity today was enlivened by delivery of the latest TTA Press mags.

Black Static #35 (July-Aug.) includes my regular 'Blood Spectrum' column of DVD & blu-ray reviews. This issue's line-up:

Curandero: Dawn Of The Demon (4/10)
In Their Skin (3/10)
Texas Chainsaw (5/10)
Apartment 1303 (4/10)
Beautiful Creatures (5/10)
Mama (6/10)
Warm Bodies (4/10)
Maniac (6/10)
Stoker (7/10)

    RetroMania
Black Sabbath (4/10)
The Brood (8/10)
Kuroneko (6/10)
The Legend Of Hell House (7/10)
The Man Who Haunted Himself (8/10)
Motel Hell (5/10)
Spider Baby (6/10)

    Tedium Scene: Round-up
The Incident (2/10)
Kill For Me (2/10)
Death Game (3/10)
Static (3/10)   

Also received BS sister mag, Interzone #247 (July-Aug.), featuring my usual 'Laser Fodder' reviews, as follows:

Halo 4: Forward Unto Dawn (4/10)
Cloud Atlas (8/10)
Oz The Great And Powerful (5/10)
Falling Skies - season 2 (4/10)
Robot & Frank (7/10)

    Retronautics
Scream And Scream Again (6/10)
Devil Girl From Mars (5/10)
The Invisible Man (7/10)
Quest For Fire (8/10)  

This issue's book section has my review of graphic novel, Sláine: The Grail War by Pat Mills, Nick Percival, and Steve Tappin. If there were rating for book reviews, I'd give this 2000 AD reprint collection a 6/10 score.

Monday, 22 April 2013

88 Films


BRAIN SHARE TRUST

Last year, DVD label 88 Films launched their 'Grindhouse' collection with cult-worthy Cannibal Women In The Avocado Jungle Of Death (1989), a comedy adventure that stars Shannon Tweed and Adrienne Barbeau; and The Day Time Ended (1979), sci-fi that’s clunky as a bag of hammers, and pits Jim Davis against stop-motion animated monster effects. January’s titles were Ken Dixon’s Slave Girls From Beyond Infinity (1987), space opera nonsense recycling the basic plot of The Most Dangerous Game; David DeCoteau’s Creepozoids (1987) in which Linnea Quigley fights ugly bug aliens; and the same prolific director’s Dr Alien (1989), featuring Judy Landers as ‘Xenobia’.

February continued the parade of cheesy subgenre stuff, perhaps fondly remembered from the video rental/ retail decades - long before such B-movie material was tamed by Hollywood, and eventually became standard blockbuster fare. Seedpeople (1992) has audacity enough for genre-splicing Invasion Of The Body Snatchers into its low-budget creature horror. Beach Babes From Beyond (1993) attempts a simple gender-reversal of Julian Temple’s Earth Girls Are Easy, but lacks any genuine imagination or funny business.
The robotic hero!

One of the better efforts from Charles Band’s productions, Mandroid (1993), directed by Jack Ersgard, is about a tele-presence robot invented by a Russian boffin, whose duplicitous partner plots to sell the machine to CIA agents, for weaponisation. As the prototype machine clomps around, we are reminded in particular of RoboCop and its sequel (both are obvious influences), but the ghosts of many earlier SF movie metal-men haunt this movie, too, and its humour is far closer to amusing spoof than biting Verhoevenesque satire. There are two victims of accidents, with weird biotech, and one results in a human monster being given a cybernaut face. 

Overall, Mandroid is a hodgepodge of B-movie sci-fi elements (such as the elderly scientist’s beautiful daughter) but the commonplace/ retro tropes here are quite charming, and it avoids the naff mistakes that other, similarly intentioned, flicks tend to make. The eastern European locations (ruined buildings, etc. in Romania) add production value to some action scenes like the climactic shootout but, even with a Swedish director, the murky politicking is merely routine stuff scavenged from Cold War spy-fi. Mandroid is a minor gem from the Full Moon back catalogue, and a sequel was made, titled Invisible: The Chronicles Of Benjamin Knight (1993), for which the heroine was re-cast.

Tuesday, 19 March 2013

March mags

Interzone #245 is just out, and this issue includes my latest 'Laser Fodder' column of DVD/ blu-ray reviews. Here's the line-up, with ratings:

     Neverlandscapes
Peter Pan (2000) - (4/10) 
Peter Pan (2003) - (5/10)
Neverland (2003) - (6/10)
Finding Neverland - (7/10)
Neverland (2011) - (6/10)

Crawlspace (2/10)
Looper (8/10)
Game Of Thrones - season 2 (7/10)
Alps (1/10)

    Best Bonds
Licence To Kill (8/10)
Skyfall (8/10)

Black Static #33 has also been published, containing my 'Blood Spectrum' column, and here's the list of new and recent DVD/ blu-ray releases that I've reviewed this time:

Fear Itself (6/10)
Holy Motors (8/10)
Resident Evil: Retribution (6/10)
Chained (3/10)
Antiviral (7/10)
Sinister (8/10)
Lost Girl - season 1 (6/10)
Rust And Bone (7/10)
Room 237 (6/10)
The Tall Man (7/10)
Silent Hill: Revelation (5/10)

    Retrothon: 4 Decades
Dracula (7/10)
Black Sunday (5/10)
Lisa And The Devil (5/10)
From Beyond (7/10) 

Tuesday, 29 January 2013

New monsters



Monster movies used to be taken seriously, whether creature antagonists were oversized beasts, farfetched chimeras, or weird fantasy chosen from legend to menace the present day. Even in comedy–action treatments of the subgenre, like Tremors, there may well be a strong element of disgust (such as body horror). 

One way to almost certainly ensure grimly sombre reactions from viewers is to put children in peril, but Irish flick Grabbers fails to strengthen its appeal with any coldly fiendish moments. It succumbs to complete irreverence and plays out as a pub night siege, with a bunch of stereotypically characters pitted against a Lovecraftian yet frivolously weak invader.

Directed by Jon Wright (Tormented), its efficiently cartoonish presentation means there is no overt sense of dread, in spite of some grotesque imagery for the aliens. Grabbers can be fun, if watched as lightweight cross–genre fare, but it remains only modestly successful as a throwaway monsterama sitcom; something like Father Ted meets Slither.
 
Nowadays, of course, slithering up from the downmarket regions of parodic threats to humankind, an overabundance of straight absurdity has emerged, and the trend for silly mutant hybrids like Sharktopus continues in Jim Wynorski’s utterly farcical Piranhaconda. 

This is a tepid actioner, where a crew making a tacky horror movie on location in Hawaii are violently interrupted by a ‘real’ terror: part snake, part fish, all CGI. There is a pair of them and they do not get along. Gangsters act out a routine kidnapping sideshow to keep guest star Michael Madsen amused, so his heroic professor won’t simply collect his paycheque and wander off, muttering about a regrettable downturn for his career in genre pictures. 

Of course, this is not actually a ‘proper’ movie; it is just the punch–line for a childish joke: what is huge, and yellow and black, and swallows human prey whole - leaving only a red mist of arterial spray? It is a fairly typical example of the low–budget art of trash movies, today, and simply an accessory (and could or should be a free gift), when you buy beer and popcorn.
 

Saturday, 26 January 2013

Lens flare

Since when did lens flare become trendy for cinematography in blockbuster movies?   

Enterprise... oh, shiny!
J.J. Abrams’ Star Trek reboot was the first big screen movie that overused lens flare for its live-action scenes aboard the Enterprise, and the constantly over-lit and blurry images proved to be so irritating it spoiled the whole movie. It did not present us with a brighter future, or some kind of spontaneous and organic creativity, it only looked far too amateurish to be taken seriously. 

Vulcan death rays
Abrams continued his apparent fascination with the visual noise of lens flare in the supposedly down-to-earth adventure Super 8, and it resulted in a terribly annoying train wreck of a movie. His malign influence on TV series Fringe is also noticeable, with a detrimental effect on the camera work.

Super 8 train wreck
Len Wiseman’s Total Recall is another remake that abuses viewers’ eyesight with its ridiculous glare from both on– and off–screen lighting. Many scenes are rendered all but unwatchable by streaks of whiteness that obscure details, and negate any sense of space within the frame. 

Total mood-lighting failure
Is it stylish? I certainly don’t think so. Babylon 5 used lens flare so that computer-generated scenes of the orbiting habitat, and varied starships, might appear as if they were filmed with actual cameras. It made a kind of sense… at the time. It could be perceived as a clever visual, even if it was not always artistically valid in frequent repetition. A similar conceit was used for many of those digitally created space battles in the BSG remake. Other movies troubled by a migraine blaze of lens flare include Michael Bay’s Transformers: Dark Of The Moon.

Blazing Transformers
CGI aside, lens flare is (of course) caused in actual cameras by light bouncing around inside the lens itself. The solution used by professional camera experts is to fit a hood on the lens. With recent big screen offerings that mess up clear views of expensive set designs, while also mistaking jittery handheld camera movement for real atmosphere, you might wonder if there is a shortage of lens hoods in Hollywood. I hope this stupid fad is over soon, but Abrams sequel Star Trek 2 is due soon, so I fear the worst is yet to come, and it’s been announced that Abrams will direct a new Star Wars feature.

Star Trek 2 - into the light!
Ultimately, lens flare is invalid as a subjective style or first–person–cinema technique simply because our eyes do not work like camera lenses. This futuristic dazzle for the look of sci-fi movies is so bright that we may have to squint to see anything at all.

Thursday, 17 January 2013

Just published

Behold, a new issue of Black Static (#32) - with the free 'scent of darkness'!, and the latest Interzone (#244), too - boasting cover artwork by the great Jim Burns. Here's a listing with ratings for my first DVD and blu-ray review columns of the year...

'Laser Fodder' (IZ)

Death Watch (7/10)
The Arrival Of Wang (5/10)
The Castle (6/10)
The Lord Of The Rings (8/10)
U.F.O. (1/10)
Continuum - season 1 (6/10)










'Blood Spectrum' (BS)    

     URBAN MONSTERS
The Amazing Spider–Man (6/10)
The Dark Knight Rises (8/10)
Dredd (6/10)

Sound Of My Voice (4/10)
Southern Comfort (8/10)
Zombie Flesh-Eaters (2/10)
Berberian Sound Studio (6/10)
When The Lights Went Out (5/10)
The Possession (6/10)
House At The End Of The Street (5/10)
Stitches (1/10)

Thursday, 4 October 2012

Booklets

Just received copies of two magazine issues…

Black Static #30 (TTA Press) includes my ‘Blood Spectrum’ column of DVD & blu-ray reviews, this time sprawling over 12 pages due to the booklet style format. Here’s a listing of the movie coverage with rating scores:

            Phenomenal inactivity
Amityville Haunting (1/10)
Paranormal Incident (1/10)

            Dead reckonings 
Zombie 108 (1/10)
Remains (3/10)
Extinction: The G.M.O. Chronicles (3/10)
[REC] 3: Genesis (6/10)

            Snowy summer
Snow White: A Tale Of Terror (5/10)
Snow White: The Fairest Of Them All (4/10)
Sydney White (4/10)
Grimm’s Snow White (3/10)
Mirror, Mirror (8/10)

Blood Car (5/10)
Orlando (7/10)
The Reverend (2/10)
The Victim (3/10)
Elfie Hopkins (2/10)
Gone (4/10)
Livid (8/10)
The Aggression Scale (3/10)
Dark Mirror (3/10)
The Hunger Games (5/10)
Curse (2/10)

            Decay products: round-up
The Devil In Me (2/10)
Axed (1/10)
Creature (1/10)
The Fields (2/10)
Truth Or Dare (2/10)
Piranha 3DD (3/10)
The Raid (5/10)  

Latest news is that Black Static has won this year's BFS award for 'best magazine'.

Also switching to the new smaller format (which boasts a laminated cover, more pages, and a spine), Interzone #242 has my ‘Laser Fodder’ column of movie & TV reviews, and this issue’s line-up features –


            Nazi stomp
The 25th Reich (4/10)
Bloodstorm (2/10)
Outpost II: Black Sun (5/10)

            Animagic
Planzet (3/10)
Starship Troopers: Invasion (5/10)

Ao - The Last Hunter (3/10)
Battleship (5/10)
Lockout (4/10)
Alphas - series 1 (5/10)
Wrath Of The Titans (6/10)  


Both titles have the advert for my movie book about Ang Lee's HULK, available to buy from publisher Telos, here.  

Monday, 16 July 2012

IZ&BS

The new issue of Interzone (#241, July-Aug.) has my latest 'Laser Fodder' column of DVD & blu-ray reviews. Here's the line-up with ratings:

    Wheelspin Reinvented:
Metropolis (5/10)
Things To Come (7/10)
Mystery Science Theatre 3000: The Movie (1/10)
Iron Sky (6/10)

Humanity’s End (5/10)
Earth 2 (6/10)
Lesbian Vampire Warriors (4/10)
Ghost Rider: Spirit Of Vengeance (7/10)
Painted Skin (6/10)
Falling Skies – season 1 (4/10)
Hell (4/10)
John Carter (6/10)
Total Recall (8/10)

    Animetrics:
Roujin–Z (3/10)
Howl's Moving Castle (4/10)
Tales From Earthsea (3/10)

    Amicus realms:
The Land That Time Forgot (4/10)
At The Earth’s Core (6/10)
Warlords of Atlantis (4/10)
They Came From Beyond Space (4/10)

    Backlist:
The Astronaut Farmer (6/10)

- * -

With a change in format and publication schedule, Black Static #29 (also July-Aug.) has a more book-like feel, shedding its expensive full-colour magazine style in favour of b&w interiors that - in my honest opinion - weakens the visual impact of its artwork and presents only greyscale photos. Sadly, it seems to me like a step backward in production standards, but I'm certainly pleased to see the higher page-count allows space for my 'Blood Spectrum' column of movie reviews to cover 19 titles:

    Zombiplex
War Of The Dead (4/10)
Juan Of The Dead (4/10)
Exit Humanity (3/10)   

The Howling Reborn (3/10)
The Darkest Hour (6/10)
The Grey (4/10)
Piggy (3/10)
YatterMan (6/10)
Bleach: Memories Of Nobody (4/10)
Bleach: The DiamondDust Rebellion (3/10)
Bleach: Fade To Black (2/10)
Chronicle (4/10)
Island Of Lost Souls (6/10)
Jabberwock - Dragon Siege (1/10)
The House (1/10)
The Squad (2/10)
The Woman In Black (5/10)
The Innkeepers (5/10)
Absentia (5/10)
Crows Zero II (3/10)
Airborne (1/10)

Friday, 8 June 2012

Marvellous


Good news! Avengers Assemble is now available to order on blu-ray and DVD... released on 17th September.

Tuesday, 22 May 2012

IZ240

Interzone #240 includes my latest 'Laser Fodder' column of DVD & blu-ray reviews, and this issue's line-up of movies & TV stuff looks like this (plus ratings, as below):

Resistance (3/10)
Six Million Dollar Man (6/10)
The Future (4/10)
Space: Above And Beyond (6/10)
Dark Shadows (3/10)
Clone (4/10)
Deadball (4/10)
Yakuza Weapon (5/10)
Haywire (6/10)
Underworld Awakening (6/10)    


Wednesday, 9 May 2012

SHIELD1


Since reading Bendis and Reed’s The New Avengers: Illuminati a couple or three years ago, I’ve been expecting a big epic historical conspiracy from Marvel, and here it is – SHIELD: Architects Of Forever by Jonathan Hickman and Dustin Weaver.

“This is not how the world ends” but it’s a splendid sci-fi/ fantasy romp spanning centuries, from Egypt to China, from 1950s New York to a secret city under Rome. It features Da Vinci as the first astronaut, a cyborg Tesla, and Nostradamus in a dungeon for 500 years. With Imhotep and Isaac Newton, Galactus and Howard Stark, and magic in the age of reason, this blends Dan Brown with 'Men in Black' and delivers tons of clever twists and surprises from its plotline about Earth’s immortal protectors.

Next on the reading pile is Future Foundation, Hickman’s take on the Fantastic 4.          

Saturday, 28 April 2012

Assembly


I saw the Avengers movie, yesterday. This isn't a review (I shall wait for a release on disc before attempting a proper critical assessment), it's just a few general comments, and my initial reactions to a movie that I've waited decades to see…

Well, I liked it a lot! It's a great super-team adventure, but I'm not convinced (yet) that it is a real classic of genre cinema about comicbook heroes. I'd have to see it at least a couple of times more, to decide on whether it's an 8/10, or 9/10 (for effort), movie. Avengers Assemble managed to fulfil my expectations of it, but failed to surpass them. That said, Joss Whedon was faced with a quite impossible task - of pleasing fans of Marvel comics and followers of the franchise of recent movie productions, including Iron Man, The Incredible Hulk, Thor, and Captain America. 

The director and cast took it all seriously, but still made it good fun. Whedon's best movie to date is not in the same class as The Dark Knight, or Ang Lee's Hulk. Thankfully, however, the level of humour in Avengers Assemble is judged almost perfectly, throughout, with very few jokes at the expense of the characters, and no embarrassingly bad scenes that may have prompted me to cringe at slapstick or blatantly camp performances – of the sort we have seen before in The Fantastic Four, Spider-Man, X-Men, and Iron Man movies.  


I don't much care for that poster, though, as I would prefer a proper artwork version, such as this one. I hope the movie is a huge success, and would like to see production planning for a sequel (or two), starting next year. I'd also really like to see an extended version of Avengers Assemble on blu-ray, perhaps before Xmas… Is that too much to ask?

Monday, 23 April 2012

BS28

Black Static #28 (from TTA Press) includes my latest column of DVD and blu-ray reviews. The line-up for this issue's 'Blood Spectrum' is as follows:

Mad Detective (8/10)
Rise Of The Planet Of The Apes (7/10)
Contagion (8/10)
Immortals (7/10)
A Horrible Way To Die (1/10)
Kill Keith (1/10)
The Thing - prequel (6/10)
The Yellow Sea (6/10)
Another Earth (5/10)
Hugo (6/10)
666: The Prophecy (6/10)
Crows Zero (5/10)
Shadow Of The Sword (5/10)
Texas Killing Fields (5/10)
The Divide (3/10)
Bad Lieutenant (5/10)
Dream House (4/10)
Demons + Demons 2 (5/10)
The Wicker Tree (3/10)
The Plague Of The Zombies (7/10)
The Reptile (4/10)

Slightly revised page layouts this time, due to a shortage of space for so much content.Which is good news for readers, I think.

Thanks to Pete (and editor Andy) for giving my forthcoming Hulk book a plug.


Sunday, 15 April 2012

TV choices

The last programme item that I went to at Olympus, was a panel about 'What do we want on TV?'

I'd prefer any genre anthology series - Twilight Zone, Outer Limits, etc. Want some originality and more diversity? That's what anthology TV does best. I'm sure we can all think of 100s of short stories that'd make good or even great TV episodes. Why viewers choose serialised storylines over standalone tales, I cannot figure out... Is the appeal of the familiar really that strong and comforting? Although the Twilight Zone revivals have been patchy in terms of quality, when it gets everything right - like Shatterday - it's brilliant entertainment.


Let's have the shock of the new with every episode, please. Bring back one or both of the big anthology shows! At the very least, they could be used as a proving ground for talented new scriptwriters, who can't sell their spec screenplays, but might be able to contribute something fresh and different to the on-going variety of such short-form TV productions.

Monday, 9 April 2012

Sunday

Bloody Sunday started after Newbury feeding time with a panel on 'Biology of the zombie apocalypse, where I was joined (in the long-walk-away room 12) by "world experts in necrological studies" Dr Bob, Rob Haines, and Bill Sellers, moderated by Tom Womack. I was the lowly horror movie geek amongst the boffins, as we tried to figure out what makes the undead shamble about in search of human flesh. The hour went by quickly and the panel was certainly a lot of fun to do. Miraculously, nobody mentioned the taste of chicken.

Just before 11am, I was rushing to the Green Room for a drink, before meeting fellow panellists Dev Agarwal, Martin Easterbrook, and Graham Sleight, with moderator Lapswood (Chad Dixon), for my third and last programme item '20-odd years of CGI'. This was a particularly interesting topic as we tried to highlight various/ best examples of digital animation used in two decades of movies.

At noon, I went to hear Paul F. Cockburn, Paul McAuley, Martin Andersson, and James Treadwell talking about the current 'Sequelitis' affecting Hollywood, but had to leave early because I needed a drink and wanted to visit Ian Sales' launch party for the Rocket Science anthology he's edited for Mutation Press. After lunch, I went to the panel on 'Scientists and the media' in the Commonwealth main hall, where David L. Clements was moderator for Caroline Mullan, Paul Cornell, Jennifer Delaney, and Marek Kukula. It was a very worthwhile panel, as was the next discussion group for 'the science of Rocket Science', with the book's editor Ian Sales, and contributors Iain Cairns, Deborah Walker, and Martin McGrath.

At teatime, I was back in the main hall for a lively panel on 'The nature of heroism' with two guests-of-honour: Tricia Sullivan and George R.R. Martin, plus author Joe Abercrombie, blogger Genevieve Valentine, and moderator David Anthony Durham. Sullivan and Martin were both great, although in disagreement. After Jessica Yates talk about 'Superhero comics, graphic novels and the films they inspired', I went to the panel on 'Fantasy in our time' where Edward James, Andy Sawyer, and James Treadwell, were moderated by Graham Sleight, for a discussion about the influence of Tolkien and Howard.

The busy evening continued wiith the programme item 'Death of the author' as Ian Whates moderated for Ian Watson, Tanya Brown, Roz Kaveney, and Adam Christopher, in a discussion of shared-worlds in fiction. As expected, Watson was hilarious in a 10-minute talk about his contribution to Warhammer 40K. I wasn't keen on 'Multicultural steampunk', anyway, so I left that panel item after listening to a few minutes of authors talking, somewhat defensively, about diversification in a subgenre that seems like a lamentable dead-end in SF. The night's programme was obviously winding down by 10pm, as only a couple of the panellists for 'Worst and best movies of the year' bothered to turn up for the discussion, which started late and seemed haphazard, and was a bit disappointing for me.

Sunday, 8 April 2012

Saturday

After breakfast for Olympians, in the Brasserie (where the service is better than in Newbury rooms), I went to 'Ethics of AI' as first panel (at 10 am). Simon Bradshaw, Paul Cornell, Louise Dennis, and Lilian Edwards talked about whether machine sentience should have human rights, and if it's switched off by its creator - does that amount to a death sentence. I spent the rest of the morning looking around the art show, and the dealers room - where Roy was selling Black Static and Interzone, and assorted books.

My first panel, 'Superheroes in the movies' started at 1pm, I was joined by John Coxon, David Anthony Durham, Ian Millsted, and Jesscia Yates for wide-ranging discussion of the best, the worst, and the failures in adapting comicbooks for the screen. Of course, I got in a plug for my forthcoming book about Ang Lee's Hulk. It went quite well, I thought, but John disagreed with my criticisms of Samuel Jackson (who's become a parody of himself, nowadays), and 'the Hoff' (a campy cartoon, not an actor!), as Marvel's boss of SHIELD, Nick Fury.

Drinking through distractions, it was soon 4pm, and time for 'the Fantastic Landscape', a panel where Paul McAuley, Jaine Fenn, and Nina Allan, discussed literary examples of metropolis and forest. I also kept missing interesting stuff on the programme (where does the time go?) until 8pm, when 'Private road to space' was a particularly informative panel with Dev Agarwal (best moderator I've seen so far at this con), in charge of author Geoffrey A. Landis, and tech industry experts like John Bray, and Gerry (no last name).

Returning from the bar for umpteenth time today, I went to see Gaspode (John Medany) lead a review of 'Worst and best TV of the past year', with commentators Paul Dormer, Genevieve Valentine, and Carolina. It was interesting to hear about lots of genre telly that I haven't seen on DVD yet.

Saturday, 7 April 2012

Olympus

OLYMPUS - SF convention
Arrived at noon on Friday, and found my room on 4th floor was ready, so that's an improvement on last year when I had tpo wait until after 2pm.

First programme item I went to was 'Is Europe winning the space race?', where the likes of David L. Clemments and Geoffrey A. Landis (plus two that I'd never heard of before) discussed options and projects which suggest ESA is outdoing the failing NASA... I think the biggest problems are politics and capitalism. Back in the 1960s, when America viewed its future in space as a human federation in Star Trek, it seemed the galaxy was just waiting for explorers and adventurers to colonise it. Nowadays, with numerous astro-ambitions cancelled and small-minded focus on profit-making, it seems that American society is not going to develop into Starfleet, after all. They are more likely to become the Ferengi.

'Pushing the boundaries of genre' in the same room, was a more lively panel, with Gillian Redfearn as moderator for the line-up of Paul Cornell, Jon Courtenay Grimwood, Robert V.S. Redick, and Sophia McDougall. As expected, they seemed to reach agreement that marketing and branding rule the genre divisions.

Since I started the Female Archers in Movies & TV page on Facebook, I thought Mike Shevdon's talk about 'Archery in fantasy film & TV' would be interesting, and indeed it was. Video-clips from various movies demonstrated how stunts using bows and arrows often get it very wrong.

The 'opening ceremony' was a short introduction to the guests of honour and committee members, and the organisers should be commended for finishing the presentation in about 20 minutes, so we could all rush off to the bar.

Cory Doctorow's interview by Patrick Nielsen Hayden offered many fascinating and very entertaining insights into the author and his dotcom works.

After teatime, I went to 'Beyond Red Mars' item, were author Paul McAuley moderated the panel of writers Geoffrey A. Landis, Ian Whates, Gareth L. Powell, and Mary A. Turzillo, thorough a discussion of exploring the Solar system.

Beer was followed by a visit to the top-floor Room 42 to see the late night horror: Jesus Christ - Vampire Hunter, which proved too low-budget and wholly predictable, so I gave up watching it around midnight.

Tuesday, 20 March 2012

IZ239

The latest issue of Interzone (#239, March-April) includes my 'Laser Fodder' column of DVD & blu-ray reviews.

Here's the line-up, with ratings:

The Shrine (3/10)
We Need To Talk About Kevin (5/10)
Straw Dogs - remake (4/10)
Take Shelter (6/10)
ID:A (5/10)
The Revenant (7/10)
Mardock Scramble: The First Compression (7/10)

Monday, 19 March 2012

HULK

My book-length critical study about Ang Lee's movie HULK (2003), is due to be published this July by Telos.

Here's a blurb:

From its 1962 comicbook origins in The Incredible Hulk by Stan Lee and Jack Kirby, director Ang Lee’s classic movie Hulk (2003), updates and re-invents the story of how scientist Bruce Banner is transformed into a giant rage monster, and becomes a new antihero for the 21st century. This book reviews the movie’s narrative complexity and its varied genre elements, which include science fiction, tragic drama, action thriller, doomed romance, and a modern fairytale with mythological references, energised by an artistically innovative editing style, and realised by groundbreaking visual effects. 

As a neurotic ‘puny human’ changes into the unstoppable ‘Angry Man’, Hulk offers a study of dysfunctional family relationships, and monster-movie rampages with tank-busting, helicopter-crashing mayhem in ‘hulkgasm’ adventures, that results in a final confrontation of cosmic proportions. A unique aesthetic spectacle, and extraordinary makeover for Hollywood blockbuster cinema, Hulk is the greatest screen adaptation of a comicbook and it rediscovers the enduring legacy of a green-skinned ‘superhero’ without a costume.


Ordering details here: Telos - HULK. 

Tuesday, 21 February 2012

Fresh blood

Issue #27 of Black Static magazine includes my 'Blood Spectrum' column of DVD & blu-ray reviews.
Here's the line-up:

Dark Star (8/10)
Shark Night (2/10)
Beyond (3/10)
Four Flies On Grey Velvet (5/10)
Tyrannosaur (1/10)
Perfect Sense (6/10)
Rolling Thunder (6/10)
Gantz 2 – Perfect Answer (6/10)
Tekken: Blood Vengeance (4/10)
Fright Night (5/10)
Real Steel (2/10)
Vanishing On 7th Street (4/10)
Dellamorte Dellamore (5/10)
Paranormal Activity 3 (1/10)
Dracula: Prince Of Darkness (7/10)
Urban Explorers (2/10)
Evidence (1/10)
The Awakening (6/10)