After breakfast for Olympians, in the Brasserie (where the service is better than in Newbury rooms), I went to 'Ethics of AI' as first panel (at 10 am). Simon Bradshaw, Paul Cornell, Louise Dennis, and Lilian Edwards talked about whether machine sentience should have human rights, and if it's switched off by its creator - does that amount to a death sentence. I spent the rest of the morning looking around the art show, and the dealers room - where Roy was selling Black Static and Interzone, and assorted books.
My first panel, 'Superheroes in the movies' started at 1pm, I was joined by John Coxon, David Anthony Durham, Ian Millsted, and Jesscia Yates for wide-ranging discussion of the best, the worst, and the failures in adapting comicbooks for the screen. Of course, I got in a plug for my forthcoming book about Ang Lee's Hulk. It went quite well, I thought, but John disagreed with my criticisms of Samuel Jackson (who's become a parody of himself, nowadays), and 'the Hoff' (a campy cartoon, not an actor!), as Marvel's boss of SHIELD, Nick Fury.
Drinking through distractions, it was soon 4pm, and time for 'the Fantastic Landscape', a panel where Paul McAuley, Jaine Fenn, and Nina Allan, discussed literary examples of metropolis and forest. I also kept missing interesting stuff on the programme (where does the time go?) until 8pm, when 'Private road to space' was a particularly informative panel with Dev Agarwal (best moderator I've seen so far at this con), in charge of author Geoffrey A. Landis, and tech industry experts like John Bray, and Gerry (no last name).
Returning from the bar for umpteenth time today, I went to see Gaspode (John Medany) lead a review of 'Worst and best TV of the past year', with commentators Paul Dormer, Genevieve Valentine, and Carolina. It was interesting to hear about lots of genre telly that I haven't seen on DVD yet.
Sunday, 8 April 2012
Saturday, 7 April 2012
Olympus
OLYMPUS - SF convention
Arrived at noon on Friday, and found my room on 4th floor was ready, so that's an improvement on last year when I had tpo wait until after 2pm.
First programme item I went to was 'Is Europe winning the space race?', where the likes of David L. Clemments and Geoffrey A. Landis (plus two that I'd never heard of before) discussed options and projects which suggest ESA is outdoing the failing NASA... I think the biggest problems are politics and capitalism. Back in the 1960s, when America viewed its future in space as a human federation in Star Trek, it seemed the galaxy was just waiting for explorers and adventurers to colonise it. Nowadays, with numerous astro-ambitions cancelled and small-minded focus on profit-making, it seems that American society is not going to develop into Starfleet, after all. They are more likely to become the Ferengi.
'Pushing the boundaries of genre' in the same room, was a more lively panel, with Gillian Redfearn as moderator for the line-up of Paul Cornell, Jon Courtenay Grimwood, Robert V.S. Redick, and Sophia McDougall. As expected, they seemed to reach agreement that marketing and branding rule the genre divisions.
Since I started the Female Archers in Movies & TV page on Facebook, I thought Mike Shevdon's talk about 'Archery in fantasy film & TV' would be interesting, and indeed it was. Video-clips from various movies demonstrated how stunts using bows and arrows often get it very wrong.
The 'opening ceremony' was a short introduction to the guests of honour and committee members, and the organisers should be commended for finishing the presentation in about 20 minutes, so we could all rush off to the bar.
Cory Doctorow's interview by Patrick Nielsen Hayden offered many fascinating and very entertaining insights into the author and his dotcom works.
After teatime, I went to 'Beyond Red Mars' item, were author Paul McAuley moderated the panel of writers Geoffrey A. Landis, Ian Whates, Gareth L. Powell, and Mary A. Turzillo, thorough a discussion of exploring the Solar system.
Beer was followed by a visit to the top-floor Room 42 to see the late night horror: Jesus Christ - Vampire Hunter, which proved too low-budget and wholly predictable, so I gave up watching it around midnight.
Arrived at noon on Friday, and found my room on 4th floor was ready, so that's an improvement on last year when I had tpo wait until after 2pm.
First programme item I went to was 'Is Europe winning the space race?', where the likes of David L. Clemments and Geoffrey A. Landis (plus two that I'd never heard of before) discussed options and projects which suggest ESA is outdoing the failing NASA... I think the biggest problems are politics and capitalism. Back in the 1960s, when America viewed its future in space as a human federation in Star Trek, it seemed the galaxy was just waiting for explorers and adventurers to colonise it. Nowadays, with numerous astro-ambitions cancelled and small-minded focus on profit-making, it seems that American society is not going to develop into Starfleet, after all. They are more likely to become the Ferengi.
'Pushing the boundaries of genre' in the same room, was a more lively panel, with Gillian Redfearn as moderator for the line-up of Paul Cornell, Jon Courtenay Grimwood, Robert V.S. Redick, and Sophia McDougall. As expected, they seemed to reach agreement that marketing and branding rule the genre divisions.
Since I started the Female Archers in Movies & TV page on Facebook, I thought Mike Shevdon's talk about 'Archery in fantasy film & TV' would be interesting, and indeed it was. Video-clips from various movies demonstrated how stunts using bows and arrows often get it very wrong.
The 'opening ceremony' was a short introduction to the guests of honour and committee members, and the organisers should be commended for finishing the presentation in about 20 minutes, so we could all rush off to the bar.
Cory Doctorow's interview by Patrick Nielsen Hayden offered many fascinating and very entertaining insights into the author and his dotcom works.
After teatime, I went to 'Beyond Red Mars' item, were author Paul McAuley moderated the panel of writers Geoffrey A. Landis, Ian Whates, Gareth L. Powell, and Mary A. Turzillo, thorough a discussion of exploring the Solar system.
Beer was followed by a visit to the top-floor Room 42 to see the late night horror: Jesus Christ - Vampire Hunter, which proved too low-budget and wholly predictable, so I gave up watching it around midnight.
Tuesday, 20 March 2012
IZ239
The latest issue of Interzone (#239, March-April) includes my 'Laser Fodder' column of DVD & blu-ray reviews.
Here's the line-up, with ratings:
The Shrine (3/10)
We Need To Talk About Kevin (5/10)
Straw Dogs - remake (4/10)
Take Shelter (6/10)
ID:A (5/10)
The Revenant (7/10)
Mardock Scramble: The First Compression (7/10)
Here's the line-up, with ratings:
The Shrine (3/10)
We Need To Talk About Kevin (5/10)
Straw Dogs - remake (4/10)
Take Shelter (6/10)
ID:A (5/10)
The Revenant (7/10)
Mardock Scramble: The First Compression (7/10)
Monday, 19 March 2012
HULK
My book-length critical study about Ang Lee's movie HULK (2003), is due to be published this July by Telos.
Here's a blurb:
Ordering details here: Telos - HULK.
Here's a blurb:
From its 1962 comicbook origins in The Incredible Hulk by Stan Lee and Jack
Kirby, director Ang Lee’s classic movie Hulk
(2003), updates and re-invents the story of how scientist Bruce Banner is
transformed into a giant rage monster, and becomes a new antihero for the 21st
century. This book reviews the movie’s narrative complexity and its varied
genre elements, which include science fiction, tragic drama, action thriller,
doomed romance, and a modern fairytale with mythological references, energised
by an artistically innovative editing style, and realised by groundbreaking
visual effects.
As a neurotic ‘puny human’ changes into the
unstoppable ‘Angry Man’, Hulk offers
a study of dysfunctional family relationships, and monster-movie rampages with tank-busting,
helicopter-crashing mayhem in ‘hulkgasm’ adventures, that results in a final
confrontation of cosmic proportions. A unique aesthetic spectacle, and
extraordinary makeover for Hollywood
blockbuster cinema, Hulk is the
greatest screen adaptation of a comicbook and it rediscovers the enduring
legacy of a green-skinned ‘superhero’ without a costume.
Ordering details here: Telos - HULK.
Tuesday, 21 February 2012
Fresh blood
Issue #27 of Black Static magazine includes my 'Blood Spectrum' column of DVD & blu-ray reviews.
Here's the line-up:
Dark Star (8/10)
Shark Night (2/10)
Beyond (3/10)
Four Flies On Grey Velvet (5/10)
Tyrannosaur (1/10)
Perfect Sense (6/10)
Rolling Thunder (6/10)
Gantz 2 – Perfect Answer (6/10)
Tekken: Blood Vengeance (4/10)
Fright Night (5/10)
Real Steel (2/10)
Vanishing On 7th Street (4/10)
Dellamorte Dellamore (5/10)
Paranormal Activity 3 (1/10)
Dracula: Prince Of Darkness (7/10)
Urban Explorers (2/10)
Evidence (1/10)
The Awakening (6/10)
Here's the line-up:
Dark Star (8/10)
Shark Night (2/10)
Beyond (3/10)
Four Flies On Grey Velvet (5/10)
Tyrannosaur (1/10)
Perfect Sense (6/10)
Rolling Thunder (6/10)
Gantz 2 – Perfect Answer (6/10)
Tekken: Blood Vengeance (4/10)
Fright Night (5/10)
Real Steel (2/10)
Vanishing On 7th Street (4/10)
Dellamorte Dellamore (5/10)
Paranormal Activity 3 (1/10)
Dracula: Prince Of Darkness (7/10)
Urban Explorers (2/10)
Evidence (1/10)
The Awakening (6/10)
Labels:
Black Static,
fantasy,
foreign film,
horror,
magazines,
movies,
sci-fi,
writing
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