Asian movies like the fantastic
Mr Vampire series, and Magic Cop (1990) - one of my favourites,
in particular, provided fine examples of a Cantonese fun-fantasy style that helped
create Hong Kong’s superhero-cinema brand as such a distinctive and fashionable
model. RIGOR MORTIS (2013), the directorial
debut of Juno Mak, is a superbly conceived tribute to that era of invention,
with updated effects that make stunning use of CGI.
“So, you know that
vampires are afraid of glutinous rice?”
Depressed actor Chin moves
into a flat in a tower block of rundown housing, where he attempts to commit
suicide. Although his hanged body invites evil spirits to possess him, resident
spiritualist Lau ‘saves’ his life...
Beginning with an exorcism fu action scene
and eccentric performances of sympathetic characters, the setting of the cursed
slum tenement becomes more than simply a backdrop for events. It’s both a
symptomatic response to the general malaise of social deprivation and
ultimately a vehicle for the negative energies otherworldly oppression. Another
well-meaning sorcerer performs a ‘resurrection’ spell on the quasi-mummified
husband of a grief-stricken widow. Non-hopping vampires stalk the corridors,
acrobatic blood fiends jump from walls to ceiling, and spooky white-haired
orphan boy Pak is the almost-mute witness to a crucible of encroaching apocalypse.
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