The back-story about a murderous doctor attempts to infuse some topicality but, nonetheless, it is a tired batch of pop–up gothic clichés. Subliminal scares and some first–person handycam views are hopelessly copycat after the likes of Bangkok Haunted, Shutter, and Ghost Of Mae Nak. Also, and perhaps inevitably, it borrows atmosphere and mise en scène from The Eye and Grudge movies.
Sometimes insipid,
generally underwhelming, performances do no favours to a plot which hinges upon
the cartoonish loony in prison who enjoys OTT snidely Lecteresque confessions.
Cheapo CGI makes for shadowy demonic phantoms that are rarely more than
slightly creepy.
It is hard to tell if the portentous apparitions are supposed
to be ‘real’, especially when they are no different to hallucinations in the dreams
of traumatised victims. This is all so depressingly formulaic that it seems
unlikely many viewers will care, either way.
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