Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Friday, 6 January 2012

E-books


A few thoughts about e-books, collated from my various forum posts

Meta-novels are, I expect, an inevitable product of a digital age. Every text will have info pop-ups & hyperlinks built-in. The next generation of readers will demand such things, no matter what ‘book lovers’ say. I think age is the key factor in this debate. Like some of you, I’m also of the last generation who grew up reading (and learning!) solely from books, but the Internet has changed all of that, whether we like it or not. We might cling to our cherished reading habits and wallow in a love for the printed books (page-turning is an important part of the pleasure of reading), but, eventually, technological progress catches up with publishing. Kids of today are growing up with interactive texts, downloadable content, and multi-player everything else. I just can’t imagine buying or using any type or model of e-reader device but, in the related tech of being able to get online anywhere, I still enjoy the convenience that wi-fi hotspot connectivity offers.  

I remember LPs of vinyl, 78s of shellac, and Betamax videos - but I have got an MP3 player, a blu-ray and a hi-def TV. I write monthly columns for niche markets like the printed magazines Interzone and Black Static, but I realise that the whole publishing industry is drifting from print to online, and there are valid ‘green’ and/ or economic reasons for doing so. Should we quickly abandon reading and collecting books? No! I have become a hardcover snob, and I no longer buy or read paperbacks (unless they are non-fiction or comic-books). And yet, it seems to me, our book-loving culture cannot last for much longer. As public libraries close, I suspect that ‘book museums’ will be a major growth industry for this century! 

Just as office tech of the 1980s gave us desktop publishing, re-launching the ‘fanzine’ phenomena, and gave us ‘semi-pro zines’, now the Internet distribution of e-books is presenting us with another publishing revolution; one that’s already underway. With the new century’s growth in self-publishing, and the process now being made simpler by e-book formats, it’s becoming very clear that we really need critics more than ever. As what used to be essential filtering functions of editorial gatekeepers in traditional publishing houses are more frequently avoided (although without the actual need for skilled editors being made obsolete!) by many writers, there will still be a vital place for critics to occupy in the buffering zone between writers and readers. 

As the supply of newly self-published work as e-books increases, somebody needs to identify (if not actually ‘police’) what’s good and bad, and find the best stories and/ or non-fiction to help inexperienced and new readers choose from the ‘slush pile’ - because that’s the big risk of e-books and it’s what seems most likely to happen. The slush piles of trad publishers will all get self-published by their writers, and the route from desktop or laptop to downloadable ebook is unlikely to have any editorial oversight whatsoever.

Monday, 5 April 2010

Odyssey finale

Odyssey 2010 – Monday

Yesterday was busy, starting with a panel on anthologies – Ellen Datlow, Ian Whates, Colin Harvey and Gary Couzens discussing 'the art of compilation'. Al Reynolds' talk about 'SF and the modern cosmos' had tech problems, so it started late and its colour slide-show was only screened in black-and-white. From the main hall, I went to the noon panel about 'writing meaningful reviews' moderated by John Clute, but the panellists (I'd never heard of any of them before) all had completely different perspectives, making any balanced or interactive discussion rather difficult.

I had to leave that item early, to visit Green Room, ready for my panel about Clarke (and whether he's still worth reading), where Colin Harvey moderated our discussion. With Ian Whates, Edward James, Martin McGrath, and Stephen Gaskell, opinions differed but we seemed to agree that such older SF novels ought/ should appeal to younger readers today. After, I listened to some comments from 'Not The Clarke Awards' panel, but found I hadn't read any of the books they were talking about.

Next, meeting Interzone film reviewer Nick Lowe, after his BSFA lecture on “2001 and the Narratology of Transcendence,” revealing the 'untold' story about developing the script for Clarke and Kubrick's masterpiece. I saw Roy Gray just after the dealer's room closed at 6pm, and we went to the poetry readings hosted by Birmingham's former poet laureate Chris Morgan. Roz Kaveney's readings were good, as were some others, but I forgot their names.

I had to leave that room early, in time for my panel on James Cameron's Avatar, where Jetse de Vries moderated our lively discussion of the film's merits and faults. I waited patiently for the Mitch Benn gig to start - much later than expected in the main hall, but his 'adult' comedy/ singing act was not funny and only weakly amusing. I think he's just a retarded Bill Bailey wannabe.

Announcements made in Atrium bar space for 'Steampunk Ball' dance in the main hall were an increasing annoyance during late night drinking and chat, but it didn't really spoil the evening, where conversations included mysterious origins of life and the reportedly surprising popularity of Harry Harrison in Russia... I found a copy of Sentinel newsletter #5, with a picture of my first panel on Friday night. Oh, yay.

This morning, I'll be checking out, but still going to programme items, and I have one more panel to do before the closing ceremony.

Saturday, 20 March 2010

Horrors in colour

My next 'Blood Spectrum' column of DVD & blu-ray reviews is done for Black Static #16. Although this issue of the magazine is still a work-in-progress, the big news is that it will be printed in full colour! Here's a couple of images taken from TTA Press editor Andy Cox's page layouts for my column, which show just how much impact adding colour to Black Static has... (Click on the images to see them full-size.)

 

Tuesday, 3 November 2009

VideoVista changes


Working on a fresh page template for monthly webzine, VideoVista.

Here's a test image for the new logo...
A work of art or too hideous for words?